THE COLOR WHEEL
Color Combination and Color Schemes
All colors are made up of three primary colors: red, blue and yellow.
When
you combine the primaries, you get the three
secondary colors: Orange, green and
purple.
Then,
when you combine each secondary with its neighboring primary, you get the six
tertiary colors — and the familiar 12-spoke color wheel.
Every
color has a temperature.
- Warm— red/yellow side of the spectrum
- Cool— blue/violet side.
It
may be the lightest of lights, or the darkest of darks. Bright or Quiet.
High intensity colors are pure, bright and
brilliant.
Low intensity colors are quiet and subdued.
Low intensity colors are quiet and subdued.
Rule One
Most colors look great with shades from the same family as
themselves
- Reds go with other reds
- Greens with greens
Rule Two
You can also use colors from next door on the color
wheel
- In the case of red, that’s orange and violet.
Rule Three
Opposites
Attract. Every color has a natural complement on the opposite side of the color
wheel
- Red and green look so good together.
These
are complementary color schemes.
Warm
colors have cool complements while cool colors have warm complements.
A
color wheel is extremely handy when putting together a color scheme, or series
of colors that will complement each other to create an overall pleasing
affect.
COLOR SCHEMES
Basic color schemes:
Monochrome
A
single color is used, varied in saturation and lightness for several different
contrasting shades. One problem with this color scheme is that it is difficult to
make anything stand out, and the lack of contrast can get monotonous.
Analogous
Here
you use the color wheel to pick two colors that are side-by-side. One becomes
the dominant color and the other is used to accent. The overall effect is much
like the monochrome scheme but offers more hues. However, it still lacks
contrast.
Complimentary
Using
the color wheel, complimentary colors are found opposite each other. This creates
high contrast. Again one of the two colors should be dominant. This color
scheme is harder to balance in a pleasing way than the aforementioned schemes.
Split complimentary
Same
as the previous color scheme, however you would also use the two colors either
side of the secondary complimentary color. This mutes some of the starkness
created by the previous scheme.
Triadic
As
the name implies this color scheme uses any three colors which form a triangle
on the color wheel, equally spaced apart.
Tetradic (or double complimentary)
In
this case you pick a complimentary pair of colors (opposites), then a second
pair to use in tandem. It's important to balance cool and warm colors for the
right effect.
For
picking color schemes for things like quilting, starting at any point on the
wheel and counting off three to five colors adjacent to one another makes for
an interesting combination that provides variety and contrast, while avoiding
the harshness of complimentary colors.
COLOR THAT CREATE HARMONY
For
a look that's rich and interesting, but yet soothing, decorate a room with
colors that live next to each other on the color wheel, such as
red-orange-yellow.
Using
closely related colors, those adjacent on the color wheel -- is called an
analogous color scheme. Analogous schemes can be warm or cool and generally involve
three to six hues.
Start
by using your favorite color as the foundation; for example, yellow. Then pull
in adjacent colors from the color wheel, orange and red. For more intrigue,
blend in tones of their intermediate colors of red-orange and yellow-orange.
Allow
one color to dominate the combination. If you like, drop in a neutral such as
white or black to add punch to the scheme.
To get your color ideas rolling,
think about these analogous color schemes:
Blue-purple-red
Red-orange-yellow
Green-blue-purple
Yellow-green-blue
Orange-yellow-green
Purple in its darkest values (eggplant, for example) is rich, dramatic, and sophisticated. It's associated with luxury as well as creativity, and as an accent or secondary color, it gives a scheme depth. Lighter versions of purple, such as lavender and lilac, bring the same restful quality to bedrooms as blue does, but without the risk of feeling chilly.
Green
Green
is considered the most restful color for the eye. Combining the refreshing
quality of blue and the cheerfulness of yellow, green is suited to almost any
room in the house. In a kitchen, a sage or medium green cools things down; in a
family room or living room, it encourages unwinding but has enough warmth to
promote comfort and togetherness. In a bedroom, it's relaxing and pleasant.
Blue
Blue brings down blood pressure and slows respiration and heart rate. That's why it's considered calming, relaxing, and serene, and is often recommended for bedrooms and bathrooms. Be careful, however: A pastel blue that looks pretty on the paint chip can come across as unpleasantly chilly when it's on the walls and furnishings, especially in a room that receives little natural light. If you opt for a light blue as the primary color in a room, balance it with warm hues in the furnishings and fabrics. To encourage relaxation in the rooms where people gather -- family rooms, living rooms, large kitchens -- consider warmer blues, such as periwinkle, or bright blues, such as cerulean or turquoise.
Orange
Orange,
like red, stimulates appetites. In its pure form, however, orange may be a
difficult color to live with. Terra-cotta, salmon, peach, coral, and shrimp are
more popular expressions of the hue. Peach is nurturing yet restful in a
bedroom; in a bathroom, it flatters light skin tones. Orange shades imbue a
living room or family room with warmth and energy. In a kitchen that faces
west, however, orange tones may feel unpleasantly hot.
Yellow
Yellow
captures the joy of sunshine and communicates happiness. It's perfect for
kitchens, dining rooms, and bathrooms, where happy color is energizing and
uplifting. In halls, entries, and small spaces, yellow can feel expansive and
welcoming.
Red
Red has been shown to raise blood pressure and speed respiration and heart rate. It is usually considered too stimulating for bedrooms, but if you're only in the room after dark, you'll be seeing it mostly by lamplight, when the color will appear muted, rich, and elegant. Crimson can make some people feel irritable; if you love red but it bugs your mate, try small touches in accessories or upholstery fabrics.
Red has been shown to raise blood pressure and speed respiration and heart rate. It is usually considered too stimulating for bedrooms, but if you're only in the room after dark, you'll be seeing it mostly by lamplight, when the color will appear muted, rich, and elegant. Crimson can make some people feel irritable; if you love red but it bugs your mate, try small touches in accessories or upholstery fabrics.
Neutrals
Neutrals
(black,
gray, white, and brown) are basic to the decorator's tool kit.
All-neutral schemes fall in and out of fashion, but their virtue lies in their
flexibility: Add color to liven things up; subtract it to calm things down. Black
is best used in small doses as an accent -- indeed, some experts maintain that
every room needs a touch of black to ground the color scheme and give it depth.
COLOR TAGS
......Hope you find this useful!
Thank you. Very useful information.
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